MT450 Unit 9 Pen Brand Revitalization Strategy Example

Reviewed by Chester Goodwin, MBA Brand Management Strategy Purdue University Global Free custom sample in 24 to 48h

Three moves instead of a new look make up this MT450 Unit 9 brand revitalization strategy for an aging fountain pen brand: factory-restored Model 40s at $109, a first-fill promise that ships cartridges and a thirty-day guarantee in every box, and a lettering-school program reaching thirty schools. The diagnosis sorts problems into what has faded, relevance to daily writing; what has turned negative, messy filling and grandfather's pen among buyers under thirty-five; and what was never said, the nib service linked by only 18 percent. Owner median age rose from 51 to 57 in ten years. Keller's revitalization routes frame each move, and Walsh and colleagues explain why the box stays. Purdue Global MT 450, Brand Management Strategy, sets this strategy for Tremont Pen Company in the BS in Business Administration.

CourseMT450 Brand Management Strategy
UnitUnit 9
Paper typeBrand revitalization strategy
LengthAbout 1,150 words, 7 pages double-spaced
FormatAPA 7 student paper
SchoolPurdue University Global
ProgramBS in Business Administration
UpdatedOctober 2026

Free sample paper for MT450 Unit 9

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Restore, Promise, Teach: An MT450 Unit 9 Revitalization Strategy for an Aging Fountain Pen Brand

[Student Name]

Purdue University Global

MT450: Brand Management Strategy

Unit 9 Brand Revitalization Strategy

[Instructor Name]

[Date]

Tremont Pen Company, its owners, its costs and the schools are composite; the sources cited are real.

What this part is doingRejecting a new look in the first sentence tells the grader the strategy rests on diagnosis rather than on a makeover.
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Diagnosis

Tremont, the Model 40 brand whose evidence fills Units 2 through 8, is not damaged; it is tired. No recall, scandal or failure has hurt it. The evidence from earlier units shows a brand that is aging with its customers.

Registration records show the median age of owners registering a new pen rising from 51 in 2015 to 57 in 2025. The Unit 3 survey found "grandfather's pen" rated plus 1.7 by buyers over fifty and minus 1.2 by buyers under thirty-five. Messy filling appeared in 34 percent of reviews coded in Unit 2, about a third. And the factory nib service, which Unit 3 rated highest on both favorability and uniqueness, is linked to Tremont by only 18 percent of pen buyers.

Three Kinds of Cause

The strategy sorts these findings into three kinds of cause, because a strategy that fixed only one would leave two in place.

What has faded: the brand's relevance to daily writing. Tremont is still known, but younger buyers see it as a pen for someone else's era, and its heritage, once a reason to buy, now reads as distance.

What has turned negative: messy filling, a product problem that has become part of the brand's image, and grandfather's pen among younger buyers, an association that is positive for one group and negative for the next.

What was never communicated: the nib service. The company has offered it for decades and mentioned it on three touchpoints. It did not fade; it was never built.

The Framework

Keller (1999) describes two broad routes to revitalizing a brand: expanding the depth and breadth of awareness, often by finding new users or new uses, and improving the image by restoring lost sources of equity or building new ones. Restoring lost equity suits the faded relevance, repairing image suits the negative associations, and building new equity suits the nib service. Each of the three moves below maps to one route.

What this part is doingMapping each move to a route in Keller's framework shows the strategy is organized by cause, not by idea.
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Move One: Factory-Restored Pens

Tremont will buy back used Model 40s from owners at $35 in credit toward a new pen, restore them at the Fort Wayne service bench and sell them at $109 with a new nib and the full lifetime service promise. The bench, which handled about 4,100 service items last year against capacity of about 9,000, can restore about 2,400 pens a year at roughly $38 each in labor and parts.

This move builds new equity from the nib service by making it the product: every restored pen is proof that a Tremont can be kept indefinitely. It also reframes grandfather's pen. For younger buyers who value secondhand and repaired goods, a pen with a previous owner and a factory restoration is not someone else's pen but evidence that the brand lasts.

A restored pen turns the association younger buyers dislike into the proof of the one they value.

What this part is doingShowing one move answering two causes at once is what earns the strategy its coherence.
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Cost: about $91,000 a year in bench labor and parts, offset by restored-pen revenue. Unit 8 measures: registrations per pen sold among buyers under thirty-five, and the nib service association.

Move Two: A First-Fill Promise

Every new Tremont will ship with six cartridges, a one-page filling card and a promise: if the pen does not write cleanly in its first thirty days, the owner can send it back at Tremont's expense for adjustment or exchange. A fine-flow nib option, which lays down less ink and dries faster on journal paper, will be added for daily writers.

This move repairs the negative association at its source rather than arguing against it. A promise of clean filling in advertising would only remind buyers of the problem; a box that removes the problem changes the experience reviews describe.

Cost: about $1.40 a pen in box contents, roughly $25,000 a year at current volume, plus returns, estimated at under 2 percent of pens. Unit 8 measures: the writing performance rating, and messy filling's share of coded reviews, rechecked yearly.

Move Three: A Lettering-School Program

Tremont will partner with thirty art schools, design programs and lettering workshops to fit students with Tremont Studio pens at a 40 percent discount, with a short session at each school on nib choice, filling and the service promise.

This move expands awareness among new users through a use the brand has never addressed: lettering and hand-drawn design, where fountain pens are valued for line variation. It puts the brand into younger hands through teachers they trust, not through advertising.

Cost: about $48,000 a year in discounts, travel and sessions. Unit 8 measures: unaided recall and attachment among buyers under thirty-five.

How the Moves Work Together

The three moves are designed to reinforce one another rather than run as separate projects. Students fitted through the lettering program learn about the nib service in their first session, and some will buy a restored Model 40 as their second pen, the price point most students can reach. The first-fill promise protects all three groups of new buyers from the experience that most often turns into a bad review. Restored pens, in turn, give the lettering sessions a story to tell: an instructor can hand round a pen first sold in 1987, rebuilt in Fort Wayne, writing as well as a new one. Together they move the brand toward younger buyers through use and evidence rather than through a message about being younger.

What the Strategy Refuses to Do

Three things are ruled out. First, no new logo or box: the Unit 6 reflection found that shop owners report customers asking for the green box with the gold nib by sight, and Walsh et al. (2010) found that loyal customers, more than casual ones, tend to think less of a brand after its logo is redesigned. Second, no paid influencer campaign: the brand's strongest associations travel between owners, and bought endorsements would sit poorly beside a service built on trust. Third, no cheap sealed pen: the Unit 7 proposal showed that a $29 pen would break the promise the strategy is built on.

Scorecard and Time Frame

The strategy runs for three years, 2027 through 2029, with targets on the Unit 8 grid: the nib service association rising from 18 to 27 percent by 2029, messy filling falling from 34 to under 20 percent of coded reviews, and registrations per pen among buyers under thirty-five rising from 0.22 to 0.30. Keller and Swaminathan (2020) note that brand images change slowly and that revitalization needs patience measured in years; the scorecard is reviewed every six months, but no move is abandoned before its second year unless a measure crosses its Unit 8 warning line.

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References

Keller, K. L. (1999). Managing brands for the long run: Brand reinforcement and revitalization strategies. California Management Review, 41(3), 102-124. https://doi.org/10.2307/41165999

Keller, K. L., & Swaminathan, V. (2020). Strategic brand management: Building, measuring, and managing brand equity (5th ed.). Pearson.

Walsh, M. F., Winterich, K. P., & Mittal, V. (2010). Do logo redesigns help or hurt your brand? The role of brand commitment. Journal of Product & Brand Management, 19(2), 76-84. https://doi.org/10.1108/10610421011033421

What the MT450 Unit 9 assignment asks for

MT450 Unit 9 asks for a strategy to revitalize a brand that has faded or aged. Begin with a diagnosis drawn from earlier evidence and keep it separate from the cure, so a reader can agree on the problem first. Distinguish a tired brand from a damaged one, and sort causes by kind, such as associations that faded, associations that turned negative and strengths never communicated. Use a recognized framework, often Keller's options of expanding awareness and improving image, to connect each cause to a move. Each move should carry a cost and a measure from the earlier measurement plan. Name what the strategy will not do, since restraint is part of strategy. A time frame of several years with review points is usual. About eight pages with a short scorecard is common for this assignment.

How the MT 450 Unit 9 example is put together

Tremont's strategy opens by calling the brand tired, not damaged, and lists the evidence from earlier units, from rising owner age to the 18 percent nib service link. Causes are sorted into three kinds. Keller's 1999 routes are introduced and mapped to the moves. Restored pens come first, with bench capacity and labor cost, and a highlighted line explains how restoration turns grandfather's pen into proof of lasting value. The first-fill promise follows, repairing messy filling in the box rather than in advertising. The lettering-school program brings the brand to younger writers through a new use. A section shows how the three moves feed one another. Three refusals follow, no new box with Walsh and colleagues, no paid influencers and no sealed pen. A three-year scorecard with Keller and Swaminathan on patience closes it.

MT450 Unit 9 rubric: what earns full points

Revitalization strategies are marked on the link between diagnosis and moves. Instructors reward a diagnosis built from evidence and kept apart from recommendations; strategies that open with solutions lose analysis credit. Sorting causes into kinds shows the student understands that different problems need different responses. Each move should map to a cause and to a framework route, with a cost and a measure. Graders credit strategies that refuse obvious but harmful moves, such as a rebrand, with reasons. Moves that reinforce one another show strategic thinking beyond a list of tactics. A realistic time frame and targets drawn from the measurement plan make the strategy testable. Clear headings and a scorecard help the grader follow the logic. Purdue Global expects Keller's revitalization work and supporting research cited in APA format.

Common MT450 Unit 9 mistakes, and how to avoid them

The most common weak Unit 9 strategy proposes a new logo, a new slogan and a social media campaign without a diagnosis. Another frequent error treats every problem the same way, usually with more advertising. Students often describe the brand as old-fashioned without evidence of who thinks so and why. Moves are frequently listed without costs or measures, which makes them impossible to evaluate. Some strategies try to attract younger buyers in ways that would alienate loyal ones. Few name what they will not do. Before submitting, write one sentence for each move that names the cause it answers and the measure that will show it worked. If any move lacks either, it may be a good idea that does not belong in this strategy, or a cause you have not yet diagnosed.

Get an MT450 Unit 9 example written to your instructions

Pick the brand for Unit 9, one fading or damaged, or have a suggestion made, and include what you know about why it slipped. Add the assignment sheet and rubric. A free first strategy returns within 24-48h, diagnosis separated from moves, each move costed and linked to a measure. The paper above is an original model document written by our desk, not a submitted student paper and not an official Purdue University Global document.

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MT450 Unit 9 questions, answered

Is a tired brand different from a damaged one?

A tired brand has faded through neglect or a changing market: fewer people think of it, and its image feels dated. A damaged brand has suffered a specific event, such as a recall or scandal, that turned associations negative. Strategies differ, since a tired brand needs relevance restored while a damaged one first needs trust repaired, so identify which you face.

Is a rebrand ever the right answer?

Sometimes, when the evidence shows the old name or identity carries associations that cannot be repaired. Most revitalization cases in course texts avoid it, because a new identity discards equity the brand still holds. If you recommend one, show why the existing associations are beyond saving and what the new identity would keep from the old.

How long should a revitalization strategy run?

Usually several years, with milestones along the way. Brand images change slowly, and a strategy measured over one quarter will seem to fail even when it is working. Set a timeline that matches the moves, name the early indicators you expect, and say when a move should be reconsidered if those indicators do not appear.

Where can I find a free MT450 Unit 9 sample paper?

The complete MT450 Unit 9 strategy is on this page, proposing restored pens, a first-fill promise and a lettering-school program for an aging composite pen brand.

Why does the MT450 Unit 9 sample refuse a new logo or box?

Shop owners report customers asking for the green box with the gold nib by sight, and research finds loyal customers think less of a brand after a redesign.